Aurical - Something To Say

Aurical - Something To Say
2011, Gallant Music

Aurical is a folk/pop duo born of two coasts.  Singer/songwriter/producer Rachel Rossos has spent time in both New York City and San Francisco, working with musicians such as Edgar Meyer, William Bolcolm and Nadja Salerno-Sonnenberg.  Michael Gallant is the senior editor of Keyboard Magazine, and serves as singer/songwriter/pianist and co-vocalist for Aurical.  Together, the two have crafted a vibrant and original sound, on full display on Aurical’s debut album, Something To Say.

Something To Say opens with the title track, an edgy, piano-driven rocker.  Vocalist Michael Gallant sounds a bit like James Young of Styx, delivering a high-octane performance that's a smash as an opener.  "Brahms Of Philosophy" has a bit of a Ben Folds feel, and Rachel Rosses does a nice job with the vocal line.  The song is catchy although perhaps a bit rushed at times; ultimately very entertaining.  "Mom's Favorite" is a bit reserved and straightforward in style.  "Julianna" is wonderfully dark, with distinctive harmonies that grab you.  It's a solid piece of songwriting that's worth revisiting. 

"Leave It All behind" is lyrically awkward at times, but impresses on the musical side.  Jethro Tull, Genesis and Supertramp stirred up in a room together might have created something that sounded like this.  The bass steals the show with a funk-driven style of play that enlivens the song with an ambitious progressive rock sensibility.  "Work Song" is a slow and meandering number that works on the music side but again shows a lyrical clumsiness that stands out.  Things get really interesting on "Redhead Girl", with a piano style that sounds like a cross between Ben Folds and Tori Amos.  The most original and intriguing work on the album, "Redhead Girl" shows Aurical's ability to push the envelope and do it well.  "I've Never Known" is the best overall contribution on the album.  Rachel Rossos is fantastic here, crafting an early female-vocal group sound.  Things get a bit more mundane as Something To Say rumbles to a close with three solid if unremarkable tracks.

Aurical dances between magic and the mundane throughout Something To Say, creating moments that build anticipation in the listener, but often falling back before finding that perfect musical strike.  There's some very good stylistic songwriting on the album, but the lyrical composition of the album has its awkward moments.  Something To Say has enough to offer to make it worth spending some time with, but there are some definite kinks and wrinkles in the band's creative process to be smoothed out next time around.

Rating: 3 Stars (Out of 5)

Learn more about Aurical at www.auricalmusic.com or on Facebook.  Something To Say is available from Amazon.com as a CD or Download.  The album is also available via iTunes.

The Heavy Pets - The Heavy Pets

The Heavy Pets - The Heavy Pets
2010, 102 Degrees Productions

Fort Lauderdale, Florida's The Heavy Pets are stylistic chameleons, blending sounds and styles seemingly without thought. The band seems to have an innate melodic sensibility that allows almost anything to work for them, a characteristic abundantly display on The Heavy Pets, the band's self-titled third album. Sounding like something a jam session between Supertramp, Train and John Mayer, "Drenched" kicks off the album in fine style with a funky feel and soulful vocals. The song is catchy and laid back all at once; a monologue from a man trapped in sadness but seeing the light in a particular lady. It's a great opening track and likely single. "Girl You Make Me Stupid" features a rapid-fire vocal/lyrical style and is highly danceable with a hip-hop feel. It's a look at the inept feeling of being a fool in love and explores how it carries over once the relationship has passed away.

For those familiar with Canadian rockers Max Webster, you'll swear "How Would I" has to be a cover of some undisclosed tune. We assure it's an original, but the guitar work sounds a lot like Kim Mitchell riffing on a theme. It's another highly catchy tune and the vocal harmonies here are outstanding. From here the 1970's take over for "Grace Blix" and "Jackie Bones"; the former an off-beat ballad and the later a guitar oriented classic rock tune that makes for a solid album track. "Lazy Anna" gets stuck in its own monotony, playing like a rap tune with rhythmic and a-melodic vocals on the verses. Things even out for the rest of the album somewhere at the midline. Over the final six songs The Heavy Pets move through solid classic-rock oriented musical blends that are enjoyable listens but don't have the vitality of the first three tracks. "No More Time" stands out here for its pleasant reggae/rock/Americana blend, and "Ichabod Train" makes a nice closer with its folky feel.

The Heavy Pets put in a solid effort on their self-titled album. The only problem is more one of perception. The Heavy Pets starts out so strongly that the rest of the album is something of a letdown by comparison. To be fair, much of this album will likely play better live than in the studio, and perhaps some of the letdown referenced above should be laid at the foot of the production board. It's clear that The Heavy Pets have a knack for writing dynamic and listenable rock music; this is a band to keep your eyes on.

Rating: 3 Stars (Out of 5)

Learn more about The Heavy Pets at http://www.theheavypets.com/ or www.myspace.com/theheavypets.  The Heavy Pets is available in multiple formats from the band's webstore.  Downloads are available from Amazon.com and iTunes.