Showing posts with label Stephane Grapelli. Show all posts
Showing posts with label Stephane Grapelli. Show all posts

Shayna & The Catch - Lighthouse

Shayna & The Catch - Lighthouse
2011, Shayna & The Catch

Shayna & The Catch seems to be on the sort of slow, steady rise that one day breeds seemingly overnight success.  After catapulting into national awareness in a Ford commercial in 2010, Shayna & The Catch have gone on to reap the sort of attention and critical appreciation that should turn them into stars.  Shayna Zaid has been there before; a television star in her native Malaysia before coming to the United States; Zaid is perfectly at home on the stage or in the studio.  With a musky voice that avails itself equally well to jazz, folk, blues or pop, Zaid lights up the stage whenever she sings.  Shayna & The Catch even scored the 2010 Song Of The Year on Wildy’s World with their joyous anthem “Fireflies”.  Not ones to sit still, however, Shayna & The Catch return in 2011 with their full length debut album, Lighthouse.

Lighthouse opens with "Talk", a catchy country-tinged folk/rocker that you simply won't be able to get out of your head.  Shayna's wonderfully textured voice is a treat, as always, and The Catch is the perfect complement to her quirky/sexy sound.  "Lighthouse" explores the difficulty that those who are the rock for everyone else can have in letting themselves go.  The song is an invitation, delivered in an active folk/rock arrangement decorated with gypsy violin runs ala Stephane Grappelli.  The melody here is a standout, and "Lighthouse" has real hit potential, although it's uncertain what commercial demographic it might fit into.  Shayna & The Catch reprise "Morning Sun", which entered the national spotlight in 2010 in a Ford Edge television commercial.  The Lighthouse take is a bit more organic in sound, browning down the smooth pop edges for a warmer take.

"Pinched" is an edgy, acoustic rocker featuring the band's trademark Grappelli-style violin work.  The frenetic flavor of this tune will keep you on your toes; there's no way to sit still in spite of the dark sound.  The song is a true "Wow" moment.  "New York Love" opens in simple fashion, rhythmic notes repeated on guitar with a simple beat.  Violin gives the arrangement texture, and serves as a counter to Zaid's impassioned and compelling vocal.  The song is an ode to New York City; full of the power of real emotion.  "Ships" explores the after-effects of a failed romance with an almost stream of conscious lyrical style.  The busy acoustic arrangement can't hide a discreetly lovely melody, and the chorus is outright brilliant.

"Handshake" is an intriguing album track, catchy, with a reserved pop sensibility that will keep pulling you back.  The song grows on you with time, but may not make a big impression on first blush.  "It's You" gets second life on Lighthouse, in a beautiful rendition that is more fluid and fuller than the original.  This is a great love song, and Shayna & The Catch has made it even better the second time around.  "Taking Chances" has an island feel, sketched out in acoustic folk instrumentation to create a compelling listen.  Building for the future is the theme here, buoyed on a melody that you'll find yourself humming along to.  "Open Your Heart" is a mid-tempo acoustic rocker about creating a better world.  The catchy chorus has an almost disco beat to it, and you could picture this song going electric and having pop sensation potential.  The formal closing track is "Blue Waltz", which ironically spends its first two minutes in 4/4 time.  It's a solid, emotive song of melancholy that resolves into a lyric waltz.  Lighthouse also has two unlisted tracks; the first more of a study in undulating voice and instrumentation.  The second, which might be called "If You Need Me", is a stripped down song of love that is compelling in its simple power.  Shayna Zaid's voice shines in this contemplative moment; a brilliant afterthought.

Shayna & The Catch show a distinctive talent for crafting folk/rock arrangements with distinctive pop sensibility on Lighthouse, a tendency noted in the past.  The band has raised the collective bar this time around, however, offering a full-length collection of material that should include several potential hits.  While Shayna & The Catch don't match up well to the pre-packaged slots that are commercial radio in 2011, there is a universal appeal to the sound on Lighthouse that should ensure Shayna & The Catch continued exposure over the next year or so.  Many bands get a big break (like a national commercial placement), and fumble the next step.  Shayna & The Catch didn't fumble; they took a shot at the end zone.  And it's good.  Lighthouse is a winner.

Rating: 4.5 Stars (Out of 5)

Learn more about Shayna & The Catch at http://www.shaynaandthecatch.com/ or www.facebook.com/shaynazaidmusic.  Lighthouse was released independently in March, 2011, according to some sources, but is impossible to find.  Zaid's website indicates an October, 2011 release date.

Buxter Hoot'n - Buxter Hoot'n


Buxter Hoot'n - Buxter Hoot'n
2011, Buxter Hoot'n

San Francisco's Buxter Hoot'n is set to release their third album in five years, with the May 30, 2011 drop of Buxter Hoot'n.  Vo-vocalists Vince Dewald and Melissa Merrill; Jimmy Dewald (bass); Ben Andrews (guitar/violin) and Jeremy Shanok (drums) cover the turrets between Americana and Southern Rock on Buxter Hoot'n, the follow-up to their highly successful sophomore album In Another Life, which charted on the Americana Music Association, Roots Music Review and Jambands.com charts. 

Buxter Hoot'n opens with "Mariel", a story song that sounds like it could be an early Crash Test Dummies outtake.  The song has a solid melodic sensibility and a down-home feel.  Vince DeWald takes lead vocals this time around.  "Out The Door" is a Dylan-esque bit of bluesy Americana; a solid album track.  "Chief Justice Shepard" is a protest song that explores collusion between judges, governments and private corporations to keep prisons full of bodies.  This is a great tune, enveloped in a snappy Americana arrangement that's appealing to the ears.

"Thought I Head You Say" features Melissa Merrill on lead vocals, showing off fine alto sound with just a touch of toughness sewn in.  "Go Get Your Gun" is a song of paranoia and deeply repressed rage.  The gypsy-style violin (ala Stephane Grappelli) is a nice touch however.  "Cover Band" is a celebration of music at its most appealing; the story of a cover band working for all its worth.  This good time song manages to keep a low key approach that works well.  "Spill Some Juice On Me" is done in a bluesy, talk/sing style.  It's a solid album track, catchy in its own right.  Buxter Hoot'n closes with "Curtain", a brief instrumental fugue that tends off into nothing.

Buxter Hoot'n gets a fair amount right on their self-titled album, but also misses some of the finer points of creativity and production in the process.  Both vocalists are competent, and Buxter Hoot'n, the band, appears to have a very clear vision of who they are and where they are going.  As such, Buxter Hoot'n is highly representative of the band as they are now.  There are obvious opportunities for improvement (as there always are), but it wouldn't be surprising of the band re-creates the success they discovered with In Another Life.

Rating: 3 Stars (Out of 5)

Learn more about Buxter Hoot'n at www.buxterhootn.com or www.myspace.com/buxterhootn. Buxter Hoot'n drops on May 30, 2011, and will be available through the band's webstore.  Expect availability via CDBaby, Amazon.com and iTunes soon.