Renée Wahl - Cumberland Moonshine

Renée Wahl - Cumberland Moonshine
2011, Renée Wahl Records

Physicist, educator, U.S. Air Force veteran and singer/songwriter Renée Wahl has packed a lot of living and learning into her life thus far.  An educated drifter and an organized dreamer, Wahl found her way to Nashville a few years back to make another dream come true.  Earlier this spring part of that dream came to fruition, with the release of Wahl's debut album, Cumberland Moonshine.  With an alternative edge but deep respect for country music's roots, Renée Wahl writes about life, love and the spaces in between that make all the difference. 

Cumberland Moonshine opens with "On Something New", an energetic, mid-tempo country number capturing the high of new love.  Wahl's voice is sultry and just a bit gritty, with a gorgeous velvet tone.  The folks behind her aren't too shabby either, matching Wahl note for note.  "Keeping You For Mine" takes love and obsession to dark places.  Etched against a classic melody is tale of obsession so complete that only death can ensure they never part.  "One More To Go" is a catchy country number that's commercial without commercial aspirations.  Wahl could be mistaken for a cross between Reba and Bonnie Raitt here, and the song borders on instant classic status. 

Wahl delves into blues-based rock n roll for "Under My Skin", showing off a bit of her upper range in the process.  "Roses Are Blue" is a kiss-off number born of infidelity, but laced with a good-natured humor that's refreshing.  Wahl manages to sound classic country even while placing her firmly original stamp on the song.  Renée Wahl has a likely hit on her hands in "Heartbreak Thing".  Blues, rock and country mix in a tune about trying to get over a lost love but not quite letting go.  Drinking her troubles away turns into a cycle that keeps her locked in place, with the story told against a catchy honky-tonk arrangement you won't be able to get out of your noggin.  Wahl is thoroughly in her element here, in perfect voice with all cylinders firing.

"Love Won't Be Denied" is a solid, radio-friendly country number; the sort likely to pop on a soundtrack somewhere over the next year or two.  "Come On Baby" is the ultimate invitation in song.  Wahl drops this one like a bomb; listeners of all persuasions will find themselves wishing she was singing to them, in what might be one of the catchiest and danceable country songs of 2011.  "Got A Feeling" finds Wahl turning sultry and in a slow blues number carved from the harsh realities of life.  Cumberland Moonshine closes with "I'm A Wave", perhaps the only song on the album that seems out of place.  It's a somewhat disappointing end to what is otherwise a stellar effort.

Renée Wahl might just set Nashville on fire with her voice.  Wahl gives her all on Cumberland Moonshine, one of the most exciting country debuts in the past five years or so.  Wahl's just getting started, but has already shown herself to be better-than-average songwriter.  With a voice you could listen to all day long, and a backing band that's among the best in Nashville, expect big things from Renée Wahl in the future.  Cumberland Moonshine is a thrilling introduction.

Rating: 4.5 Stars (Out of 5)

Learn more about Renée Wahl at www.reneewahl.com or www.myspace.com/reneewahlmusic.  Cumberland Moonshine is available from Amazon.com as a CD or Download.  The album is also available via iTunes.

Andy Budd – Ragtop Monterey

Andy Budd – Ragtop Monterey
2011, Red Bush Records

Folk/Americana singer/songwriter Andy Budd is relatively known, but perhaps not for long.  Budd’s third album, Ragtop Monterey, finds Budd blending a delicate songwriting touch and great musicianship, while raising the bar with his impressive previous work.  There are no prolonged solos or flashy sounds, just good old fashioned songwriting with a Nashville sound that hasn’t been heard on commercial radio in decades.

Ragtop Monterey opens with the old school train song "Old Freight", an escapist fantasy in traditional country fashion with bluegrass accents in the arrangement.  Budd has a workingman's voice; not pretty, per se, but with a comfortably gruff sound that lends authenticity to the performance.  "If You Did That Today" is a catchy tune highlighting the differences between the child rearing philosophies of today compared to those of a generation or two ago.  Many of today's taboos were thought perfectly normal thirty or forty years ago, like smoking during pregnancy to riding in the back of a car without a seatbelt; things that would result in a CPS referral nowadays.  Budd's song is tongue-in-cheek, but may also leave you wondering about the sanity of such bureaucratic efforts.

"Don't Bother Calling" is a humble kiss off from a jilted lover.  She cheated on him, and he's telling her to get lost in heartfelt, articulate terms.  The arrangement is solid, but it's Budd's lyrics that really grab your attention here, "With a bullet in every chamber you played lover's roulette.  It's hard to forgive and even harder to forget."  "Ragtop Monterey" is a love song to a car his grandmother once owned, captured in a catchy, country arrangement.  This is a fun one that will appeal to the car buffs out there.  "Time Won't Do It" is a woeful heartbreaker skeptical of healing powers of time, particularly when it comes to heartbreak.  The classic country arrangement is a treat, and the chorus is inescapable.  "Bread Upon The Waters" is a catchy number exhorting listeners to live the good life but not take more than their fare share.  It's a great tune with a powerful-yet-simple message that's worth being reminded of. 

"He's Still Missing Her" is a tongue-in-cheek tune about one man's dogged determination to get rid of his sweetheart, "He's still missing her but his aim is getting better..."  Budd throws these comical curveballs once in a while just to make sure you're awake, but even if the lyrics are occasionally full of whimsy the music is deadly serious and well constructed.  "Ol' Work Truck" is full of reminiscence over a friend who has seen him through thick and thin.  The truck in question becomes a symbol of American Pride and the connection between generations of working class men; a love song and a memory of what America once was.  Budd heads back to the honky-tonk for "Baa Baa Black Sheep", a catchy number about himself and his sister and their roles as the family black sheep.  Budd once again shows a gift for turns of phrase with lines like "The two of us lived up to daddy's fears and mama's tears."  Budd closes with "Godspeed", a sweet memorial to a friend who has finally given up the fight but who fought like few others.  If you've lost someone you love dearly recently, or if the loss is still fresh in your heart, this song will be a tear-jerker.  It's an honest and heartfelt piece of songwriting that leaves pieces of itself embedded in your psyche.

Andy Budd is a great story-teller with a healthy dose of wit thrown in.  Ragtop Monterey is the sort of album you'll find yourself hitting repeat on again and again.  Budd blossoms under the steady hand of producer Chip Hardy (Waylon Jennings, Reba McEntyre, George Strait), and delivers ten songs that will get stuck in your brain and stay around long enough to petition for rights.  You'll find yourself more and more engrossed with Ragtop Monterey, and Andy Budd, with each listen.

Rating: 4 Stars (Out of 5)

Learn more about Andy Budd at www.andybudd-usa.com.  Ragtop Monterey is available from Amazon.com as a CD or Download.  The album is also available digitally via iTunes.