Jon Pousette-Dart - Anti-Gravity

Jon Pousette-Dart - Anti-Gravity
2011, Little Big Deal Music

The Pousette-Dart Band was one of the seminal soft-rock bands of the 1970s, transforming the folk tendencies of the 1960's into a palatable form of rock n roll.  Jon Pousette-Dart spent much of the 1970's as one of the big names in popular music, touring with acts such as Yes, Peter Frampton and James Taylor.  The 1980's saw Pousette-Dart making a comfortable living doing session work and writing jingles, but the limelight beckoned again in the 1990's.  By 2002, Pousette-Dart was on his own; crafting his incredibly catchy melodies into a roots-influenced brand of folk/rock that seems the logical outgrowth of his earlier work.  Pousette-Dark continues creating little bits of musical magic on his latest album, Anti-Gravity.

Pousette-Dart opens with the refined Americana-rock of "Anti-Gravity", an upbeat love song built on catchy hook and strong chorus.  The song manages to capture emotion in musical amber, preserving it to bloom again for the listener's benefit.  "Me And The Rain" is based in a resigned melancholy and sort of optimistic fatalism that begs salvation from the mundane.  The song is beautifully crafted, with the vocal harmonies adding great atmosphere.  Pousette-Dart shows a definite talent for lyrical turns, with lines such as "Calling all dreamers to live in the light / I'm making my peace with the night."  On "Better Everyday", Pousette-Dart offers up a sing-along chorus in a tune about making your way one step at a time. 

"Great Wide Open" ruminates on mortality and the opportunities that remain, delving into a brand of beautiful fatalism speckled with hope.  "Words" is pure fun, a catchy number that's perhaps a bit outside of fans' expectations but no less welcome for the fact.  "Who I Am" is a stunning duet with Jaime Kyle about the tragedy of Alzheimer's.  Sweet and heartfelt, the song details the small victories of knowing and being known.  If you've been there with a loved one this song will hit home hard.  "Heaven Is Here" is crafted from the best pure melody on the album, and looks for Heaven here on earth.  It's a great folk/rock number that's catchy and upbeat.  Anti-Gravity bows with "How Could I Walk Away", a song of love and devotion that avoids saccharine or cliché turns.  The song is nothing less than brilliant in both its composition and its sense of heart.

Jon Pousette-Dart continues to break new ground with "Anti-Gravity", which may be his best collective work to date.  Working with collaborators such as Jim Chapdelaine, Gary Nicholson, and Angelo and Jaime Kyle, Pousette-Dart continues to craft searching songs of love and redemption in a comfortable musical style that moves you and sinks into you at the same time.  "Anti-Gravity" is an honest and mature effort from artist who has paid his dues and can now simply sit back and write and play from his muse.  It's an effort worth becoming familiar with.

Rating: 4 Stars (Out of 5)

Learn more about Jon Pousette-Dart at www.pousette-dart.com.  Anti-Gravity is available from Amazon.com as a CD or Download.  The album is also available via iTunes.

Bruce Cockburn – Small Source Of Comfort

Bruce Cockburn – Small Source Of Comfort
2011, True North Records

Bruce Cockburn has based his life on deep experience.  Over the years, Cockburn has travelled to the world’s trouble points, to see the truths of human existence for himself.  Cockburn has documented these experiences on thirty albums over the years, with a sense of subtlety and musicality that is rare in rock n roll.  An Officer of the Order of Canada and a member of the Canadian Music Hall Of Fame, Bruce Cockburn’s music has been covered by such artists are Barenaked Ladies, Anne Murray, Ani DiFranco, Dan Fogelberg, Judy Collins and Jimmy Buffett.  On March 8, 2011, Cockburn releases his 31^st album, Small Source Of Comfort.

Small Source Of Comfort opens with “Iris Of The World”, commenting on the tendency of humanity to grab onto meaningless things while overlooking things that matter.  Semi-autographical, the song finds Cockburn perhaps sharing his own role in the human play; recognizing the beauty of a moment and sharing it with others.  This is classic Cockburn, finding the subtle depths of an experience and exposing them in a complex, highly rhythmic and oddly beautiful arrangement.  “Call Me Rose” is a tongue in cheek story song about Richard Nixon reincarnated as a single mother of two kids living in the projects.  It’s something of a Great Reversal concept (“the last will be first and the first will be last”) born of Judeo-Christian theology, but is very amusing and is written from a very human perspective.  In Cockburn’s musical daydream Nixon sees himself for who he was and is a better person for it, even if he continues to long for the old days.  Cockburn sticks to a fairly straight-forward folk-rock arrangement this time around in order to let the story shine through.

“Bohemian 3-Step” is a pretty instrumental that plays like a slow waltz, relying on cross-rhythms, or a variant, to create an intriguing sense of rhythm.  The piece has great energy, and is beautifully crafted.  “Radiance” is a musical meditation on beauty, both in lyrics and music.  Cockburn impresses with unusually beautiful guitar work, capturing an abject loneliness in both his instrument and voice as he looks on from afar.  The cello is a nice touch, completing the tragic displacement of the vocal line in dark and dulcet tones.  This is a musical ‘wow’ moment; a song that’s both heart-breaking and uplifting in its beauty.  “Five Fifty-One” is an edgy story song that plays on the edges of folk, rock and blues.   The story here is a bit disjointed, a calculated effect given the state of mind of the story teller.  The cops show up at his house in the wee hours of the morning and we’re never entirely certain why, but the overall impression is of someone who is dancing on the edge of madness.  Cockburn creates a highly rhythmic arrangement that leaves ample room for acoustic guitar-driven sidebars that will make the most of the would-be guitarists out there wish they could play like that.

“Lois On The Autobahn” is an energetic instrumental that plays off Cockburn’s guitar against a dancing dervish of a violin, capturing a sound not dissimilar from that of Django Reinhardt and Stéphane Grappelli.  “Boundless” is a spiritual exploration in song; exploring the similarities between the boundlessness of space and of belief.  Cockburn creates an ethereal feel at the opening with a multitude of bells, but moves quickly into an urgent vocal line over (for Cockburn) a relatively simple arrangement.  The imagery used here has many levels; delivered in poetic prose that is laced deep with references both cultural and theological.  Wit takes over on “Called Me Back”, a humorous take on a call that never comes, and the resulting anxiety over what might have happened to a close friend.  It’s an entertaining turn; a well-placed moment of levity that both highlights Cockburn’s depth as a songwriter and works in much the same fashion as a comic song placed in the middle of a big Broadway musical. 

“Comets Of Kandahar” is a dark instrumental that again pairs Cockburn’s guitar with violin; this time the result is dark with a disturbed energy.  The composition itself is amazing, and was inspired by Cockburn’s trip to Afghanistan to play for Canadian troops in theater.  “Each One Lost”, inspired by the same trip, is a somber tribute to those who have given their lives.  The song is full of heartbreak and plays like a lonely hymn, punctuated by a lonely accordion.  “Parnassus And The Fog” finds Cockburn’s guitar once again paired with violin in a lilting instrumental ballad that plays like a love song.  “Ancestors” is a gorgeous, haunting instrumental full of staccato guitar against a dreamlike background of musical ether.  The affect of the piece is subtle and compelling, as Cockburn builds a story into the rhythm of the song.  Small Source Of Comfort closes with “Gifts”, a quiet celebration of the moments in life that illuminate an emotion, person or place and define meaning for us.    It’s a gorgeous, quiet arrangement that whispers quietly to you about the truth of what’s important in the world.

Bruce Cockburn is a rare gem in the world of singers and songwriters.  His depth and subtlety as both a musician and lyricist puts him in rarefied air.  Small Source Of Comfort is an album that, if not at peace with the world around it, has certainly found the peace that comes with understanding hard truths.  A decade or two ago Cockburn would have railed at government and political machines in a mad frenzy, driving the intricate beauty of his music into exile under the constant barrage of verbal artillery aimed at the injustices of the world.  Small Source Of Comfort takes deadly aim at the same sort of social inconsistencies, but with a subtle grace and veracity that cuts far deeper that some of his past efforts.  Where a younger Bruce Cockburn would have imbued his message with the power of righteous indignation, the songwriter now allows the simple power of truth to blend with the intricate beauty of his musical creations to reach beyond the defenses of even the most politically hardened psyche.  Small Source Of Comfort stands amongst Cockburn’s finest works, and is a Wildy’s World Certified Desert Island Disc.

Rating: 5 Stars (Out of 5)

Learn more about Bruce Cockburn at www.brucecockburn.com or www.myspace.com/officialbrucecockburn.  Small Source Of Comfort drops in the US on March 8, 2011.  You can order the CD or Digital album through Amazon.com.  The album is also available digitally from iTunes.