Abbie Barrett & The Last Date - The Triples: Volume 1

Abbie Barrett & The Last Date -The Triples: Volume 1
2011, Beige Bomber Records

Abbie Barrett grew up in New YorkCity attending private schools. A professional career and upward mobility werethe clear goal. Even through college, Barrett was on target. But once free fromformal education, Barrett jumped around from town to town anything but.Eventually landing in Somerville, Massachusetts, she first picked up a guitarand began writing down the songs that kept running through her head. This was awatershed moment, both a continuation of her rebellion against the expectationsshe was raised with, and an embrace of the person she would become. Drawing oninfluences as disparate as Pink Floyd, Radiohead, Neil Young and Aimee Mann,Barrett continues to write songs about underdogs, unsung heroes and rebels.Along with her band, The Last Date, Barrett recently released the first in aseries of EPs called The Triples.

The Triples, Volume 1 opens with "Here To Stay", a low-key, but highenergy rock n roll fight song that's part Chrissie Hynde and part SaraBareilles. Featuring a memorable chorus, the song shows off Barrett's distinctvoice, which is distinctly beautiful but contains a formidable toughness that'snot to be ignored. "On The Range" is a drearily ethereal spaghettiwestern in song. Barrett's voice and the vocal harmonies of her band help tocreate a distinctive sound that is both uplifting and haunting. The EP closeswith "Draw Me In", an elongated and smooth ballad that sounds likeHope Sandoval singing along to Pink Floyd. The ultimately sad feel of the songholds its own unique beauty, and avoids the neuroses that pervade "sadpop" music.

Abbie Barrett is a distinctive voicein Indie Pop music. Together with The Last Date, Barrett has created threememorable and likeable songs that run the gamut stylistically. The Triples:Volume 1 is a wonderful introduction to an artist who shows a lot ofpromise. This EP will ensure that careful listeners are likely to be waitingfor the release of the other two volumes in the series.

Rating: 4 Stars (Out of 5)

Learn more about Abbie Barrett & The Last Date at www.abbiebarrett.comor www.myspace.com/abbiebarrett.  The Triples, Volume 1 was scheduled for a November 8, 2011, but as of this review does not appear to have made it to market yet.  Keep checking Barrett's website for release details.

Bess Rogers - Out Of The Ocean

Bess Rogers - Out Of The Ocean
2011, Bess Rogers

Some people write great melodies.  Others craft lyrics that leave you breathless.  There are even some in the music world who build arrangements that go beyond day-to-day to comprehension.  Any one of these talents can make an artist a household name.  Any two may well make them a legend.  On her prior EP, Bess Rogers Presents: Bess Rogers, we found an artist who showed flashes of these types of brilliance.  Fourteen months later, Rogers returns with Out Of The Ocean, making unbelievable strides as an artist, and transforming herself quickly from a singer/songwriter with big talent and tremendous potential into a maturing, brilliant artist you simply can’t ignore.

Rogers has built her reputation on several fronts.  The Brooklyn-based multi-instrumentalist has been involved in numerous projects over the years, playing nearly every style of music imaginable.  A few years back she was picked to be Ingrid Michaelson’s guitarist, and has earned a well-deserved reputation as a dynamic performer with a flair for the dramatic and the technical chops to back it all up.  Rogers began building her name as a solo performer through her web presence and technical savvy, but it’s the music that speaks for Rogers.

Out Of The Ocean opens with "One Step Free", the song snippet that gives the album its name. Rogers makes an impressive start here, although it may leave you wishing she'd finished the song. "Standing Tall" opens with a plaintive verse that resolves into a beautiful, lush and lustrous pop chorus. Roger's voice is pure ear candy for those with rich musical tastes, and she bends and shapes the melody line here like a true artist. The song itself is one of safety and confidence in love - a nice change of pace from the glut of starry-eyed pop songs and anguish filled navel gazing ballads that fill up the airwaves. "Weak Link" is an anachronistic invitation from one who views her own imperfections as the perfect complement to the object of her desires better qualities. There's a romantic, tongue-in-cheek element here that's charming, and the full, active arrangement makes it a pop gem.

Rogers bemoans the relegation of romance and attraction to chemical processes on "Math And Science", yet indicates a continued willingness to play her part. Rogers draws you in here with a chorus that simply will not get out of your head. "Anchor" goes up-tempo, running along at a gallop while Rogers keeps pace with a flawless vocal line. The melody line here is brilliant, and once again, Rogers will stay in head for days. Don't be surprised if this is a break out hit. Rogers slows things down a bit with "In The Waves", a utopian invitation from a mermaid to a broken man that parallels immersion in water and falling in love with artful delicacy. Rogers creates a gorgeous sonic landscape here with layered voices and synth over a sparse arrangement. The song closes in haunting fashion, fading away into the depths.

 

Water And Dirt" is another wonderfully catchy pop/rock rumination on love. Rogers plays with the theme of elements, and the almost hopeless part we play in the human dramas of love throughout the album, but here she creates a bit of musical and lyrical magic that's impossible to ignore. "The Fittest" is another example of the sort of diluvian, edgy pop that Rogers is capable of creating. The arrangement is beautiful and lush, but with a backbone as hard as iron. Rogers rocks out on "I'll Be Gone", throwing down the gauntlet in a relationship where the sharing is no longer equal. This is done not in angry tones, but in a driven melody with honest lyrics that are more intelligently questing than spiteful. "Second Chance" is the most stripped-down and personal of the offerings on Out Of The Ocean, showing off Rogers' voice in a more open arrangement that reveals its simple beauty in broad daylight. Similarly, "Brick By Brick" sticks to an unfettered musical formula, whereby Rogers explores the minutiae of relationships in affecting and intelligent imagery. Rogers builds the intensity of the arrangement back to where she started in a conveyance of the building process, before falling back to the simple strains of a guitar string that fades as if leaving a story in progress.

 

Bess Rogers showed herself to be a special talent with her debut EP, Bess Rogers Presents: Bess Rogers, but Out Of The Ocean is light years ahead of first effort, showing a fast-maturing talent for melody, lyrics and song construction, all wrapped up in a voice that resonates in your mind. Rogers shares the love of lush arrangements apparent in the work of Sarah McLachlan, as well as the willful, independent narrative lyrics found in Aimee Mann's work. This all comes together in a fashion that is comfortingly familiar yet excitingly original. Very quietly, and without warning, Bess Rogers will knock your socks off. Out Of The Ocean is a Wildy’s World Certified Desert Island Disc, and figures to be featured heavily in year-end lists.

 

Rating: 5 Stars (Out of 5)

Learn more about Bess Rogers at www.bessrogers.com or www.myspace.com/bessrogers.

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Please note that the Amazon.com prices listed above are as of the posting date, and may have changed. Wildy's World is not responsible for price changes instituted by Amazon.com.

Check out with current tour-mate Allison Weiss in the first episode of "Van Jams", below:

Aoede - Affair With The Muse

Aoede - Affair With The Muse
2011, Aoede Muse Music

Dermatomyositis is a rare connective-tissue disease that weakens the immune system, muscles and skin.  When this disease struck Lisa Sniderman, AKA Aoede, in 2008, it came from out of the blue.  Aoede was still basking in the recognition generated by her debut album, Push And Pull, which won Aoede recognition for Top Artist of the Year and Top Album of the Decade from WomenRadio.com.  In September of 2010, Sniderman's condition worsened, requiring a 24-day hospital stay and intensive treatment and therapy.  Aoede made music a part of the therapeutic process, and the result is a new seven-track album entitled Affair With The Muse.

Aoede opens with "Fairy Tale Love", a 1950's pop vocal number dressed up in modern folk/pop clothing.  Party Disney and part dysfunctional romance movie, "Fairy Tale Love" explores wanting that perfect love story.  Aoede's sweetly anachronistic voice dances with the melody line to create a sweet opening moment.  "Does Your Heart Ever Stop Feeling" starts with an 'oom-pah' beat, much like a parade march.  Aoede will remind listeners of Kate Bush and Tori Amos here, with an intriguing vocal line that makes up in character what it occasionally loses in pure tone.  "Crave Me" speaks from the midst of a comfortable relationship, asking to be placed ahead of the day-to-day considerations of the world, even if for a little while.  This heartfelt number is honest and real, written from the heart of someone who just wants to be seen as she once was.  Off to a great start, the album slows down somewhat from there. "If You Already Know" has a bit of a cabaret feel, but is otherwise somewhat bland.  Aoede creates an interesting characterization of love in "Love Proof", but "Fall On Your Deaf Ears" is a bit too close to cliché in trying to save a relationship tilting into the wind.  Aoede closes strong with "What You Got".  Part pep talk and part motivational aid (i.e. kick in the rear), the song is entertaining and impassioned and full of heart.

Just like people, sometimes music soars and sometimes it survives.  Aoede does a bit of both here, which is incredibly fitting given the circumstances under which Affair With The Muse was born.  Aoede's quirky folk/pop sensibilities mix with both light and dark on her latest album, sometimes throwing up glorious sparks of song, while at others simply documenting the passage of time and the survival of creation; of life itself.  While Affair With The Muse may not stand as Aoede's best work in time, it might be her most compelling.  You can't help but think, listening to Aoede's occasional brushes with magic, that there's an album in her down the road that's going to blow a lot of people away.  Affair With The Muse isn't that album, but it's the first step on the path there.

Rating: 3 Stars (Out of 5)

Learn more about Aoede at www.aoedemuse.com.  To learn more about Dermatomyositis, please visit www.myositis.org.  Affair With The Muse is available digitally from Amazon.com and iTunes.