Showing posts with label U2. Show all posts
Showing posts with label U2. Show all posts

Sheri Miller - Winning Hand

Sheri Miller - Winning Hand
2011, Sheri Miller

Sheri Miller made an impact quickly.  Her 2008 debut album, Mantra, spawned an underground hit in "Right Here, Right Now", and earned her recognition as one of Music Connection's 'Hot 100 Unsigned Artists'.  An invitation to join a group called The Delilahs resulted in a major label contract and opportunities to write songs with the likes of J.D. Souther, Jill Sobule, Shawn Mullins and Al Anderson (NRBQ).  Unfortunately the band fell apart, and Miller found herself on her own again.  She did the only thing a songwriter could do; she kept writing and performing.  The result is Miller's sophomore EP, Winning Hand, featuring a top-notch band with members who have played with the likes of Paul Simon, Neil Young, Johnny Cash, David Bowie and Suzanne Vega.  Winning Hand was produced by Kevin Killern (U2, Peter Gabriel), and represents significant growth on the excellent start Miller got off to with Mantra

Winning Hand sets sails with an Americana/pop love song in the form of "Spoons".  It's a brilliant low-key pop tune featuring gorgeous harmonies and a memorable chorus.  This could be a bonafide hit for Miller, and will likely be a winner in the licensing world as well.  "Winning Hand" is a languorous Americana ballad about taking the chance to fall in love.  Miller's melody is winsome, but the overall effect is a touch bland.  "Satellite" has an acoustic southern rock feel that's appealing.  A quiet anthem screaming to have big guitar sound pumped in, the song remains an enjoyable listen even in this stripped down form.  "Everybody Feels This Way Sometimes" seems a bit out of place here.  It's a decent enough tune, but doesn't have the same energy or sense of personality as the other tracks presented here.  Winning Hand winds up with "Hungry For The Truth", a dark rocker about figuring out the meaning of life, no matter the cost.  The song is quietly impressive, sneaking up on you and growing in estimation with each successive listen.  It's probably the most impressive piece of songwriting Sheri Miller has unveiled thus far; showing a much more complex and intricate side to her songwriting psyche than one might expect.

Sheri Miller continues to impress, showing more levels and layers to her lyrics and composition than on the formidable Mantra EP.  The best way to describe Sheri Miller is to say she's a star in waiting.  In the days of major label dominance, Sheri Miller would already have a major record deal, and would be in demand as both a songwriter and performer.  Life is both easier and harder in the post-label era, but Miller's progression as a songwriter in the last three years speaks of wonderful things to come down the road.  Winning Hand has its rough spots, but when Miller is on her game there are few better.

Rating: 3.5 Stars (Out of 5)

Learn more about Sheri Miller at www.sherimiller.com or www.myspace.com/sherimiller. 

Shirock - Everything Burns


Shirock - Everything Burns
2009/2011 - Shirock

Nashville rockers Shirock blend singer/songwriter pastiche with well-honed pop/rock songs on their debut album, Everything Burns.  Produced by Jay Ruston (The Donnas, Matisyahu, Everclear, Cold War Kids), Everything Burns is full of grand intentions, bold melodies, big energy and a story-teller’s art. 

Everything Burns opens with "New Solution", a catchy, U2 style pop song.  Chuck Shirock sings a bit like Bono, and the harmony vocals are perfectly complementary.  This one also has a big, radio-friendly chorus that should catch the attention of radio programmers.  "Time Goes By" sounds like a formulaic ballad designed for radio play, but conceals a considerable angst as the narrator questions existence and his reason to be.  "Still Young" suggests a hopeful proposition wrapped in a deep melancholy.  "I'll Take Rain" is a song about finding the perfect one, but has a funereal feel that's at odds with the lyrics.  The song features Pap Shirock on lead vocal; she turns out to be the vocal class of the group.

"Say It Out" is a love song with real energy and passion exuding from the arrangement.  There's a definite U2 influence here.  "Drag You Down" is highly commercial in sound but a bit empty for substance.  You can't blame a band for including a track like this in an album in the hope of catching on with mass media, but "Drag You Down" is sufficiently self-reflexive to make you wonder what Shirock was thinking.  "Silver" features Pap Shirock once again on vocals for a big, enduring ballad.  She sounds wonderful here, but it would be nice to hear her let loose on one of the rock tunes.  Pap Shirock's harmony vocals elsewhere suggest that she is sorely underutilized. 

"Everything Burns" is an admonition to make the most of your time and do something meaningful.  Opening with a spoken word part, Shirock drags this one out across six-plus minutes of ashes-to-ashes commentary.  "I Have Been Redeemed (Reprisal)" is not, in fact, a reprisal of anything on the album.  It's a solid tune with a spiritual theme, marking a transition that we do not yet see.  The album closes in a wash of ethereal sounds and reverb.

Shirock is a band with multiple personalities, and as of Everything Burns it's not clear that one has won out over the others.  With Chuck Shirock on the mic there is a quality of showmanship to the group that generally works in their favor, as well as a penchant for big, wide-open arrangements with soaring melodies ala U2.  With Pap Shirock up front, Shirock becomes more of a musical juggernaut.  While Everything Burns does not feature her on any rock-oriented songs, it's easy to see/hear that she's the best singer in the group.  Shirock takes on different aspects depending on the vocalist, and right now seems to be fighting to be one thing while more naturally disposed to being the other.  This is the sort of internal tension that, if not resolved, can tear a band apart.  Yet, like many other groups with multiple vocalists and personalities (Fleetwood Mac, The Eagles, Styx), the ride before the crash can be fantastic.

Rating: 3 Stars (Out of 5)

Learn more about Shirock at www.shirock.net or www.myspace.com/shirock.  Everything Burns is available digitally from Amazon.com and itunes.

Marie Glad – Bedroom Stories, Part One


Marie Glad – Bedroom Stories, Part One
2010, Royal Sister
Marie Glad is a Swedish singer, songwriter, visual artist, designer, film maker and yoga instructor.  That’s enough vocations to prove a point of some sort.  As a singer/songwriter Glad  saw moderate success with her 2009 debut album Rescue Me.  She returned in 2010 with a four-song EP entitled Bedroom Stories, Part One.  The EP is full of bland, fluffy pop music that’s easily convertible to the dance scene with the appropriate remixes.  Glad has a nice enough voice, but the material presented here is the musical equivalent of empty calories.  The peak of the EP comes on the last track, a second version of the song “Butterfly” featuring Duvestar.  Duvestar is a partnership between Glad and Irish DJ/producer Oisin Lunny (U2, Gangstarr, Sinead O’Connor).  There are points of promise here, but little is truly realized.
Rating: 2 Stars (Out of 5)
Learn more about Marie Glad at www.marieglad.com or www.myspace.com/marieglad.  Bedroom Stories, Part is available digitally from Amazon.com and iTunes.
 

Dexter Freebish – Shine On


Dexter Freebish – Shine On
2010, Copper Moon Records
Dexter Freebish rocketed into the national consciousness in 1999, winning the John Lennon Songwriting Contest with a number entitled “Leaving Town”.  The win led to a recording contract with Capitol Records and a top-40 single from their debut album Life Of Saturdays.  The relationship with Capital Records didn’t last long due to creative differences, but going independent never stopped the Austin’s quartet’s flirtations with success.  Two additional albums have seen Dexter Freebish land multiple songs on MTV’s The Real World, as well as placement in several video games and the movie Superman Returns, as well as racking up a second John Lennon Songwriting Competition Award in 2004.  After a six year hiatus, Dexter Freebish returned in October of 2010 with Shine On, their best work to date.
Shine On opens with “Wide Awake”, a highly catchy piece of pure pop music with a chorus that will ring in your ears.  This is the sort of tune that will have people running to Google to find out who sings it.  “Save The Last Dance” is in the same vein; highly danceable pop/rock with great harmonies.  The energy here is amazing.  “Do You Want To” shows off distinctive harmonies ala Yes or 1980’s Asia in a tune vaguely reminiscent of classic Rolling Stones.  “Made Some Friends Along The Way” shows a solid U2 influence in a soul searching tune full of big airs in a wide open arrangement.  “When The Sun Shines” maintains Dexter Freebish’s big pop momentum before moving into the album’s apex, “Shine On”.  “Shine On” could be either a love song or a song about making dreams come true; either interpretation works, but ultimately it’s a great pop song.  “Beautiful Girl” is a low key pop love song whose greatest weapon is the subtlety and touch in the songwriting. 
Dexter Freebish returns in fine style with “Shine On”; their most well rounded and complete work to date.  You don’t win the John Lennon songwriting contest twice for no reason, but Dexter Freebish continues their tradition of writing stand out songs.  Even if the industry at large and pop radio don’t pay attention, this turns out to be one of the more satisfying pop/rock albums of the past year.
Rating: 4 Stars (Out of 5)
Learn more about Dexter Freebish at www.dexterfreebish.com or www.myspace.com/dexterfreebish.  Shine On is available digitally from Amazon.com and iTunes.

Centrevol - Momentum


Centrevol - Momentum
2010, Centrevol Music

Long Beach, California rockers (by way of Boston) Centrevol made a splash with their 2008 debut album, the Wyn Davis (Sublime, No Doubt) produced Beggars And Thieves showed a propensity for grand rock songs with distinctive melodies in the tradition of bands such as U2, The Police, The Killers and Coldplay. Centrevol returns on September 29, 2010 with their third EP, Momentum. Produced by Eric Palmquist (The Ataris), Momentum is likely to be a self-fulfilling prophecy.

Momentum opens with "Don't Hear Me Wrong", showing off an open sound with great pop sensibility that's reminiscent of U2 (or U2 jamming with the Geoff Downes version of Asia. The chorus here is brilliant, the sort that catches attention on the radio. "Ready To Go" is a bit more mundane than the opener but is a solid album track "I Walk The Line" is an intriguing cover of the Johnny Cash classic that sounds very little like the original. Centrevol brings out a different feel in the song; where Cash's version was confident and proud, the version presented here is melancholy and resigned. "Save Yourself" is very catchy, and jumps right out of the speakers into your ears. Centrevol's ability to come up with these big choruses filled with ample hooks and harmonies bodes well. The best comes last, however. "Shine A Light" is a prospective love song; hopeful in a prayer-like fashion. Melody is king here, and even if the lyrics dance on the edge of trite at times the song works for what it is.

Centrevol overcomes the sophomore jinx with Momentum. Even with a couple of tracks here that just take up space, Centrevol exceeds all expectations by blending a distinct pop sensibility with great melodies and the occasional chorus that will simply blow your over. With the right luck Momentum could be a breakout EP on the strength of a few of the tracks here. Don't miss it.

Rating: 3.5 Stars (Out of 5)

Learn more about Centrevol at www.myspace.com/centrevolGet Involved drops September 29, 2010.  You can pre-order your digital copy from Amazon.com.  Expect wider availability both on CD and digitally soon.