The 23 String Band - Catch 23

The 23 String Band - Catch 23
2011, The 23 String Band

Eastern Kentucky is the home base ofThe 23 String Band, an acoustic quintet consisting of Chris Shouse (guitar,lead vocals); Curtis Wilson (banjo, vocals); David Howard (mandolin, vocals);Scott Moore (fiddle, vocals) and T. Martin Stam (bass, vocals). In spite oftheir acoustic approach, the band brings electric energy to modern songs withtraditional bluegrass stylings. A live set from The 23 String Band could easilyfollow a traditional bluegrass tune with a Beastie Boys cover; theunpredictable nature of the band has earned them a significant following in ashort time. And their "original hillbilly music" has earned them therespect of bluegrass fans both modern and traditional. The band released Catch23 earlier this year. The only surprise here is that they haven't receivedwider acclaim.

Catch 23 opens with "Fat Frankie", the frenetic tale of asmall time drug dealer. The dark and urgent modern bluegrass arrangement iscompelling, and The 23 String Band has created a classic story song. The violinwork of Scott Moore is particularly amazing. "Long Hot Summer Days"features solid, deliberate pick work. Shouse gets soulful on the lead vocal,and there's a distinct blues feel blended into the bluegrass arrangement."Catch 23" is a dynamic instrumental that breaks out into a jazzifiedbreakdown. Once again, fiddler Scott Moore is a standout. The band is forwardand fun on "Leave Everything To Me", an amusing little love song witha memorable melody.

"Listen To Her Heart" is asoliloquy sung to a romantic interloper; an attempt to hold on to the one heloves. The arrangement here is pure gold, with tremendous instrumentalinterplay and absolutely gorgeous vocal harmonies intertwining throughout. The23 String Band goes old school on "Bees Knees", getting back to deepbluegrass roots so completely you'll think you're in a time warp. "HeyPretty Mama" is a tongue-in-cheek come-on song that's fun andentertaining. It's followed by the vibrant instrumental clinic of "DeerTick". It's the barrelhouse for "Raleigh & Spencer", aprohibition era fiddle tune that's relentlessly entertaining. The band getsreal props for their original read on "Cripple Creek", in a renditionthat's vaguely reminiscent of the Grateful Dead's version, but has a more lyricfeel.

The 23 String Band are a marketer'sdream. Riding the high energy of youth, this finely tuned musical machineapproaches traditional bluegrass with great reverence, but can also kick outthe jams and update their sound to the minute. With the rise of Americana musicas an over-arching pop form, it's a matter of time before a band from its ranksbreaks out into pop-culture stardom. That band could easily be The 23 StringBand, and Catch 23 could be just the vehicle to take them there.

Rating: 4.5 Stars (Out of 5)

Learn more about The 23 String Bandat www.the23stringband.com or www.facebook.com/the23stringband.

Human Switchboard - Who's Landing In My Hangar? Anthology 1977-1984
2011, Bar/None Records

No one will hold it against you if Human Switchboard has escaped your attention before now. Their debut album, Who's Landing In My Hangar? was released three decades ago, and the darlings of the early 1980's New York City punk scene never really created a national footprint, but their influence is still felt today. The Beastie Boys, Mark Lanegan (The Screaming Trees), Chris Cornell (Soundgarden) and Kurt Cobain have all paid homage to Human Switchboard in the past, with Cobain referring to the band's "Refrigerator Door" as the "Stairway To Heaven" of punk rock. On October 24, 2011, Human Switchboard makes the jump to CD for the first time, with the release of Who's Landing In My Hangar? Anthology 1977 - 1984. The collection includes the complete original album plus various live and demo tracks. The 21-song CD also includes a download card that will allow listeners to download an additional 19 tracks on-line.

The disc itself shows a young band at the intersection of 1980's pop and punk, but affected by sounds of 1960's and 1970's rock and roll. The vocals are often pitchy, wavering from key to key oft times in the same vocal phrase, but the energy is great. There is a primitive feel to the album that is appealing; sounding more like a basement tape made by good friends than a professional produced album. Human Switchboard even work in the occasional Richie Cannata-style sax solo to complete the musical menagerie. Listeners will groove to the geek/pop/punk sound of "Who's Landing In My Hanger?); the bouncy energy of "I Can Walk Alone", and the Ramones-meets-The Knickerbockers sound of "(I Used To) Believe In You". Other highlights include "In My Room", "Shake It Boys" and "Fly-In".

Human Switchboard brings an American Primitive spirit to Basement Punk (the 2nd cousin to Garage Rock) on Who's Landing In My Hangar? Anthology 1977 - 1984. The additional tracks illuminate the best intentions of a band that might have done some great things over time, but the reality is that sometimes on solid album is the best hope of a band. It's hard to say Human Switchboard went out on top, but in an increasingly Indie music world, Human Switchboard gets many nods for being years ahead of their time in approach and style. The music of Human Switchboard is probably an acquired taste beyond its novelty and arguable historical value, but is worthy of some time and effort on the part of the listener.

Rating: 3 Stars (Out of 5)

Who's Landing In My Hangar? drops on October 24, 2011.

            CD                        MP3                 iTunes


Please note that the Amazon.com prices listed above are as of the posting date, and may have changed. Wildy's World is not responsible for price changes instituted by Amazon.com.